REVIEW: SALTMAN KNOWLES - "RETURN OF THE COMPOSER"

JAZZ IMPROV MAGAZINE – NEW YORK


By Nick Mondello

PERSONNEL: Mark Saltman, double bass/composer; William Knowles, piano/composer; Lori Williams- Chisholm, vocals; Jimmy “Junebug” Jackson, drums; Alvin Trask, trumpet; Robert Landham, saxes

Pacific Coast Jazz Label


What is it about bass player-composers? While predominantly dwelling in the harmonic-rhythmic foundation of the jazz composition, bassists such as Charlie Haden, and of course, the Dali Lama of bassist composers, Charles Mingus, have given the jazz world some of its most intriguing, memorable compositions. In this highly engaging CD, Return of the Composer, Mark Saltman continues and lives up to that basso profundo compositional tradition – but he’s not alone.

Saltman’s compositional colleague on this date, pianist William Knowles, also steps up to the plate here with a fine foursome of neat originals seemingly steeped in the best Horace Silver tradition. The result of this compositional collaboration, combined with the talents of the rest of this ensemble, is a terrific array of intelligent, involving music. With ten original selections, each with a driving, catchy rhythmic undercurrent, Saltman, Knowles and cohorts make the most of the composed platform they are provided.

Not surprisingly, the rhythmic ribbons on many of the selections are engaging from the bottom up, but, are never clichéd. Bassist Saltman, the savvy composer that he is, knows what will drive and what might turn rhythmically stale and melodically non-supportive. Knowles knows this all too well, too. Pianist William Knowles‘s playing is outstanding, never stepping on either vocal or ensemble toes. Vocalist Lori Williams-Chisholm has a beautiful, soprano voice that is pitch-pure. Since all the selections here with the exception of the closer “Pain Management”, have no verbal lyrics, Williams-Chisholm’s intonation, sense of swing and ensemble “playing” need to be perfect – and they are. Horn input from the exciting Robert Landham on saxes and the very talented Alvin Trask on trumpet are noteworthy. Both solo con brio y alma throughout. Drummer Jimmy “Junebug” Jackson pushes and prods nicely throughout the session.

The rhythmic mix here is extremely good. There is a high degree of esprit evident. Although each selection is highly listenable and involving, of particular interest are the hustling “Bellport,” the triple-metered “It’s Been a Mad Spring,” and the stealthy “Creepin’ Up”. The production and recording values are excellent. With such expertise in their respective comp skills, I wondered as to why there is not a ballad selection included. With what Saltman and Knowles have in their compositional knapsack and with the wonderful vocal talent displayed by Williams-Chisholm and ensemble excellence displayed, I’d wager it would be another stellar performance, as is this effort.

I hope the composers’ return again – very soon.

SALTMAN KNOWLES CD RELEASE PARTY FOR "RETURN OF THE COMPOSER"

This Weekend! Don't miss this...
“a brilliant example of all that is good in contemporary jazz”


Friday, April 3rd and Saturday, April 4th from 9 PM to 1 AM ($12 cover)
At: HR57 located at 1610 14th St. NW, Washington, DC.

CHARTS AT #8 on JAZZ WORLD WEEK

The Saltman Knowles Quintet, known for their long-term artist collaborations that serve up melodically alluring and rhythmically infectious music, will feature Mark Saltman (bass), William Knowles (piano), Jimmy “Junebug” Jackson (drums), Antonio Parker (saxophone) and the soulful and unique instrumental sounds of vocalist Lori Williams-Chisholm. For more information about the CD release event go to http://www.HR57.org or call 202-667-3700. For information on purchasing the CD or more about Saltman Knowles go to http://www.SaltmanKnowles.com or http://www.PacificCoastJazz.com.

MARK SALTMAN: COMPOSING WITH COLOR

SALTMAN KNOWLES
"RETURN OF THE COMPOSER"

CD RELEASE FEBRUARY 10

Although bassist Mark Saltman has not been diagnosed with synaesthetic experiences, his compositions are written using color theory, sense perception and intuition. “I came up with my system based on how I hear tonalities,” Mark offered in a recent interview, “for example the brightest tonalities match the brightest colors just like on the color wheel. The difference between others and mine is that I equate 'c' (the key with no sharps and flats) to yellow, the brightest color, and 'Gb or F#' (the key with the most sharps and flats) to the darkest color or dark purple. This also corresponds with black and white keys on the piano.”

On his soon to be released CD, “Return Of The Composer” Mark uses this color sensory system in writing his original songs in collaboration with pianist William Knowles. The idea of composers looking at sounds in terms of colors is not new and in fact many past musicians have alluded to this concept including; Duke Ellington, Franz Liszt and Oliver Messiaen. According to medical studies these uncommon sensory experiences are examples of synesthesia, when two or more senses cooperate in perception. Once dismissed as imagination or delusion, metaphor or drug-induced hallucination, the experience of synesthesia has now been documented by scans of synesthetes' brains that show "crosstalk" between areas of the brain that do not normally communicate.

However, not everyone agrees on what colors correspond to what pitches which leaves the research open for debate. Mark Saltman says his songs are “related to traditional color theory” and he uses the same relationships on the color wheel when composing. “I also believe that my own color/music theory can be related to Eastern Philosophy where it is believed that certain colors are associated with channels and lines that exist around all of us.” An example of how Mark uses this method can best be heard in his compositions from “Return Of The Composer”, “Homeland” and “Shalom and Salaam.”

Please contact SVMediaRelations@gmail.com to interview Mark Saltman.

Saltman Knowles Review: Blogcritics.org

Music Review: SaltmanKnowles - Return of the Composer

Written by Kit O'Toole
Published December 22, 2008

http://blogcritics.org/archives/2008/12/22/024553.php
Blogcritics.org - published by Eric Olsen
Blogcritics is an online magazine, a community of writers and readers from around the globe.

Fans of modern jazz should seek out SaltmanKnowles’ newest release, Return of the Composer. The Washington, D.C.-based jazz group includes Mark Saltman (bass), William A. Knowles (piano), Lori Williams Chisholm (vocals), Jimmy “Junebug” Jackson (drums), Rob Landham (alto saxophone), and Alvin Trask (trumpet). The band cites Billy Strayhorn, Horace Silver, and Charles Mingus as major influences. This somewhat free-form type of jazz pervades their fourth release.

The group makes heavy use of vocalese throughout the album, with Williams Chisholm’s voice becoming another instrument on such cuts as “Bellport,” where she trades lines with the saxophonist. During the Brazilian-tinged “A Study in Purple,” her voice complements the elaborate percussion. Her soulful vocals add a touch of soul on “Seeds and Deeds,” while Jackson’s drums and Saltman’s bass provide a driving, almost funky beat.

While vocalese is prominently featured, the deft instrumental skills of the band still impress. “Homeland” features an extended (and blazing fast) saxophone solo by Landham, and “Shalom and Salaam” works due to the tight syncopation of Knowles, Landham, Trask, and Saltman. Once again the saxophone and piano solos are the true standouts, their improvisation accompanying but never dominating the driving beat and melody. Trask occupies the spotlight on the midtempo “Disfavor,” his muted trumpet skillfully navigating the frequent tempo fluctuations. Landham and Trask trade lines, never overshadowing the other’s playing.

The lone track featuring actual lyrics, “Pain Management” serves as a welcome respite from the scatting and instrumental songs. The tune begins as a lament, suddenly launching into a ripping saxophone solo. The real star of “Pain Management,” though, remains Jackson’s intricate percussion. He consistently impresses with his ability to smoothly change the tempo throughout the song without any abrupt transitions.

SaltmanKnowles enjoys performing as a “cohesive unit,” and Return of the Composer exemplifies this statement. The musicians complements one another, letting a player solo while the others play an accompanying melody or beat. Williams Chisholm appears very comfortable with singing vocalese, her scatting providing the perfect instrumentation or flourish for various songs. It’s refreshing to hear straightforward modern jazz performed by some excellent artists, encapsulating traditional improvisation while occasionally injecting some soul and funk into the music. Any fan of modern jazz will enjoy Return of the Composer, and it will be interesting to see how SaltmanKnowles continuously evolves in the jazz genre.

REVIEW POINT BLOG features Saltman Knowles

Saltman Knowles: "Return of the Composer"

Review by Dennis Brotz, guest author at:

Review Point (Blogcritics.org) site of Paul Jordan

http://reviewpoint.blogspot.com/2008/12/saltman-knowles-return-of-composer.html

Sunday, December 14
The legendary author of Slaughterhouse Five, and many other books, Kurt Vonnegut, used to be fond of saying

"The United States of America has come up with only two good new things: Alcoholics Anonymous and jazz."

The first, with it's 12-Step Program now adapted to over 200 different addictions and problems, spiritually awakens even atheists to taste Heaven - and sometimes Beyond - Now. Great art similarly can take even absolute misery and make us experience it as sublime. Or Better. Such is the jazz CD Return of the Composer by Saltman Knowles.

Jazz is quite sophisticated music. So much so that it's usually beyond me. But then I'm lucky if I like one or two new songs a year from any genre. And for me melody is the key. If the melody's not immediately compelling, forget it, I can't pay attention. Occasionally a song can grow on me beyond how it originally strikes me. For example, a first listen to Jewel's Pieces of You album bounced off me almost completely, as did Losing my Religion by R.E.M. and Imagine by John Lennon. Now I more than love them. Songs like Time of the Season by the Zombies and Let's Live for Today by the Grass Roots bowled me over immediately. Now you get my range...

Saltman Knowles members seem to be among some of the most highly credentialed in their genre. Reading their bios is the only way to fully appreciate this. Of relevance to me is the fact that one of Mark Saltman's most striking major influences was Dr. Yusef Lateef, the great American multi-instrumentalist, composer and educator whom Mark met while attending the University of Massachusetts at Amherst. Discussions, according to Mark, would involve

"all kinds of things, including music, religion, and politics. He is Muslim and I am Jewish, so we really went into the whole religious thing. It was totally respectful and totally enlightening."

And - more than coincidentally? - at the heart of the Middle East conflict and terrorism today. Lateef also encouraged Mark to find his "own sound within." Wherein the Divine resides. Or, as Christ put it to the Pharisees, who didn't believe in him, "The Kingdom of God comes not with observation. You can't say, 'Look! There it is!' Or, 'Behold! It is there!' For the Kingdom of God is within you." Or, as the old saying goes: "We don't see the world as it is, but as we are." The Greeks claimed the influence of the goddess Muses. Their art then helping us tap into our own Divine Spark within!

Mark is also an educator in the Washington, D.C. schools and likes exploring the relationship between sound and color in the study of Synaesthesia. Cutting-edge stuff at a time when it's being demonstrated that we humans actually have at least 53 senses, and not just the 5 Aristotle named a long long time ago. He also said that a fly had eight legs. And almost no one bothered to check otherwise - to discover they only had 6 - until centuries later... And then, natch, there's the possibility we have a 6th or 7th Sense or Senses. Further information about all this can be found at ecopsych.com, describing Project NatureConnect, whose founder Dr. Cohen, claims it's the Grand Unified Field Theory most science claims is as yet undiscovered. William Knowles and the soulful vocalist Lori Williams-Chisholm's qualifications also bear deeper investigation and are very relevant, but the main point I'm getting at here is that - whatever the credentials - very little impresses me musically.

Great melody being an absolute requirement to open my Inner Door. And - with the help of other very skilled musicians - that very requirement seems the central bond of the two core members of Saltman Knowles in their

"mutual hunger for melodic content woven within a tapestry of harmonic emotional patterns. It all starts with a singable melody, because without that there is no glue. Then we like to do something that sounds harmonically unique...to write things that evoke very strong feelings."

Residing in a lively, culturally rich area of Washington D.C., their last release, It's About the Melody received excellent reviews and won the Best International Jazz song from Toronto Exclusive Magazine in 2007.

Some of the melodies on this album were - how to put it? - Beyond Infinitely Sweet! Far more significant was that within days of just listening to the album once, I experienced a feeling of love or Love in a Divine - or Beyond? - Sense, stronger than any I've felt in my 55 years. Coincidence? The themes on this possible masterpiece very much cut to the very spiritual heart of not only the new millennium, but the timeless. Homeland, for example, is about a longing for a place to call your own where you feel like you belong and can feel comfortable. The concept is more of a spiritual home than a physical one.

The composition Shalom and Salaam, comes from the word "peace" in Hebrew and Arabic. It uses elements from both cultures and almost all of our wishes to find a peaceful settlement to the seemingly unsolvable and extremely dangerous Middle East Conflict. Seeds and Deeds is about the deeds we do today being the seeds for things tomorrow. The Nichiren Buddhist chant "Nam-myoho-renge-kyo" means "Devotion to the mystic law of instantaneous simultaneous cause and effect through sound vibration" wherein Awakening and Enlightenment can occur as the Experience of The Heaven Beyond Heaven. Here. Now. In this lifetime. Instant karma gonna get you!

A Pillar of Saltman was written for Mark's dad, Kopi Saltman, who passed away, and while very quiet, always tried to hold firm to his ethics and beliefs. A State of Being wherein - as described by Bill Wilson, entails very special almost immediate Rewards: "When I follow the dictates of a Higher Power, I presently live in a new and wonderful world - that gets increasingly wonderful as time goes on - no matter what my present circumstances". Pain Management is a song for the broken hearted. She ran off with another man. Saltman Knowles renders this so the listener gets a sublime experience, though not necessarily immediately. The smiles of almost outrageous joy on the CD cover reflect a genuine condition of being that the music inside actually creates or elicits in the listener. Sometimes with a delayed-effect.

As our spiritual, emotional, psychological, artistic, and political landscapes unfold and develop - with always some initial growing pain - very painful in many circumstances - into a potential New Golden Age such as humanity has never seen before, perhaps even ushering in a New Heaven and a new Earth, God knows we can use all the Help we can get. Enlightening some of our suffering. And in that sort of suffering, the Buddha informs us, the sufferer leaves. Saltman Knowles' "Return of the Composer" gives Precisely That State of Being - and in this humble listener's opinion - beyond sublimely more, just opens New Eden's door. Nothing more is a chore.

Saltman Knowles Joins Pacific Coast Jazz Label; “Return of the Composer” slated for February 10

San Diego, CA – November 30, 2008 - San Diego-based independent record label, Pacific Coast Jazz (PCJ), announces the signing of Washington, DC-based jazz ensemble, Saltman Knowles. The agreement anticipates the release of their new CD, Return of the Composer, slated for a street date of February 10, 2009.

“We’re excited to have the opportunity to represent Saltman Knowles’ fifth and most impressive CD to date,” says Donna Nichols, founder and president of Pacific Coast Jazz. “This album truly confirms the compositional strength of Mark Saltman and William Knowles with a track list of sophisticated yet soulful original music.” Nichols’ label has teamed up with publicist Joy Foster of SV Media Relations and radio promoter Neal Sapper at New World N’Jazz for access to international media buying and radio promotion.

Bassist Mark Saltman and pianist William Knowles, the leaders of this seamless blending of sounds, met while attending the composition program at the University of Massachusetts in Amherst and created a musical bond with similar affections for the music of Billy Strayhorn, Horace Silver, Cedar Walton and Charles Mingus, among others. “They are a true find for our artist roster,” added Nichols.

Their latest CD project, Return of the Composer, emphasizes their commitment to original music with a deep love for melodic color, texture, and groove. The group continues their journey into the creative musical exploration by including vocalist Lori Williams-Chisholm as an instrumental effect doing vocalease on many of the songs.

Pacific Coast Jazz, founded in 2003, is a boutique jazz label that also offers artist management services. All PCJ artists are distributed worldwide by MVD Audio/Big Daddy Music. For information on Pacific Coast Jazz, visit: www.pacificcoastjazz.com. For more information and interviews with Saltman Knowles, visit www.saltmanknowles.com or contact Joy Foster at SVMediaRelations@gmail.com.

PACIFIC COAST JAZZ LABEL NEW RELEASES

PACIFIC COST JAZZ (PCJ) Label presents:

Danny Green "With You In Mind"
Release Date: January 20, 2009
www.DannyGreen.net

Saltman Knowles "Return of the Composer"
Release Date: February 10, 2009
www.SaltmanKnowles.com

For press review copies or interviews contact:
SV Media Relations
SVMediaRelations@gmail.com

Radio Promotion:
Neal Sapper, New World N' Jazz